The point at which we understand. varnished paper on acrylic. 80 cm w / 120 cm h
http://george-charman.co.uk
George Charman
The point at which we understand. varnished paper on acrylic. 80 cm w / 120 cm h
http://george-charman.co.uk
Expo 67
The 1967 International and Universal Exposition, or Expo 67, was held in Montreal, Quebec, Canada, from April 28 to October 29, 1967. The logo was designed by Montreal artist Julien Hébert. The basic unit of the logo is an ancient symbol of man. Two of the symbols (pictograms of 'man') are linked as to represent friendship. The icon was repeated in a circular arrangement to represent 'friendship around the world'. The logotype is lower-case bold-face, Optima font.—Wikipedia.
Christoph Niemann
http://foundmagazine.com/find/732
http://www.christophniemann.com/
b.1970 Waiblingen, Germany
Stuttgart Academy of Fine Arts
New York, US
Bygg Studio
http://www.byggstudio.com/
Design studio | 2006, Copenhagen | 2008, Stockholm
Sofia Østerhus + Hanna Nilsson + Markus Bergström
Editorial design. Denmark | Sweden
Hektor Meets Dexter Sinister
Hektor is a portable spray paint output device for computers. It was
created in collaboration with engineer Uli Franke for Jürg Lehniʼs
diploma project at ECAL (École cantonale dʼart de Lausanne) in 2002.
Hektor’s light and fragile mechanism consists only of two motors, toothed belts and a spray can holder. By the means of geometric triangulation and gravity, a custom software moves the spray can along predefined drawing paths and remotely activates the can’s nozzle.
Hektor’s light and fragile mechanism consists only of two motors, toothed belts and a spray can holder. By the means of geometric triangulation and gravity, a custom software moves the spray can along predefined drawing paths and remotely activates the can’s nozzle.
http://www.dextersinister.org
http://www.swissinstitute.net
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