Maria Thereza Alves

Artist Maria Thereza Alves, originally from Brazil and of Guarani, Kaingang, Portuguese, and African descent, has lived and worked in Europe since 1994. Her projects are concerned not only with the repatriation of objects but also with how these returns can enable greater agency for indigenous peoples in her home country. Concerned with the recovery of knowledge, Her project Fair Trade Head (2007) is a provocation aimed at European museums. The idea of the piece is that a living person can donate their head to the Muséum d'histoire naturelle de Rouen in exchange for the return of a head from the Rouen collection back to the community of origin in Aotearoa/New Zealand.



Fair Trade Head (2007), Lambda prints, diptych, 100 x 100 cm each


source

Njideka Akunyili




The Beautyful Ones” Series #1b 2012 Acrylic, color pencils and transfers on paper 5.1 ft. × 3.5 ft.
I Refuse to be Invisible, 2010 Ink, charcoal, acrylic and xerox transfers on paper 10 ft. × 7 ft.

http://njidekaakunyili.com

Maximus Chatsky




Behance /Flickr The work of the ukranian photographer and designer Maximus Chatsky.

Pilipili Mulongoy

Pintades (Guinea fowl) by Pilipili Mulongoy, artist of the Lubumbashi painting school in Congo

Damien Correll





Damien Correll is an art director and illustrator living and working in Brooklyn, New York.
http://www.damiencorrell.com

Parabol






http://www.parabol.org

Parabol Art Magazine is an international periodical for contemporary art in English language, a project by the design agency section.d (Max Haupt-Stummer, Robert Jasensky), the art consultancy section.a (Katharina Boesch, Christine Haupt-Stummer) and the artist Chris Goennawein. Each issue is produced by a curator. Each curator´s task is to examine a contemporary phenomenon in pictures and words on the basis of artistic points of view. Parabol Art Magazine focuses on the representation of contemporary art in graphic space. Over a period of time, the total pattern created by all of the issues will result in a reflection of central spotlights of contemporary art production, like a two-dimensional exhibition. With its notorious size, the image itself is the main focus of the publication.

Llew Mejia


http://llewmejia.tumblr.com/

"—I am starting a new project something that has always fascinated me are scientific charts. So I am going to start making them…some truth, some elaboration, but that’s what the masters did too. Illustration of a Gharial,(Gavialis gangeticus) a rare freshwater crocodile that inhabits only two rivers in Nepal and India. These crocs are going extinct and it’s a shame, hence the precious egg emphasized. They don’t breed well in captivity and happen to be the only croc with a visible sexual dimorphism."

Oliver Haidutschek

 






http://aotooouchi.tumblr.com

"In the time of post internet art, an understanding in pure digital media consumption/ production/ redistribution and the philosophy of object-oriented ontology is what frames my field of work. What you see is what you get is the title of my latest work of representation and recontextualisation of "objects" or "pictures" in a "picture". We are used to see "real" sculptures as pictures in the net, we rarely go there and walk around and look at a sculpture. Instead we flick through masses of pictures online every day. This work is about the question of our validation of mass and reality."

Via http://www.ofluxo.net/




Kasper Florio

http://www.kasper-florio.ch — "Kasper-Florio is the collaborative experience of Larissa Kasper and Rosario Florio. Our working method follows a quality-conscious and conceptual position. We’re aiming for project specific solutions with a strong approach to elaborated and solid typography. Aspiring a mindfully executed design, we work on various commissions in the cultural field, art, fashion and music." —