Oliver Haidutschek

 

http://aotooouchi.tumblr.com

"In the time of post internet art, an understanding in pure digital media consumption/ production/ redistribution and the philosophy of object-oriented ontology is what frames my field of work. What you see is what you get is the title of my latest work of representation and recontextualisation of "objects" or "pictures" in a "picture". We are used to see "real" sculptures as pictures in the net, we rarely go there and walk around and look at a sculpture. Instead we flick through masses of pictures online every day. This work is about the question of our validation of mass and reality."

Via http://www.ofluxo.net/

Joana Vasconcelos

http://www.joanavasconcelos.com/

Vincent Olinet

1. Pas encore mon histoire, 2008 (Not yet my story)
2. Je vous aimes tous, 2006 (I love you all)
3. Rouge Santa Barbara, 2009 (Santa Barbara lipstick)
4. L'or forgé a la main (Hand forged gold) 2004
5. Je ne peux pas faire des miracles (I can't make miracles) III, 2007.

http://www.vincentolinet.com/

"The artist's intent is to subvert and play with roles, matter and dimensions. Olinet's fascination for childhood and fairytale, both classic and Walt Disney's, allows him to create fantastical sculptures which are simultaneously attractive and repulsive. His drums recall, from their shape and colour, a playful and circus-like atmosphere, but also hide a darker side to their creation, insomuch as the artist himself defines them as "martial".—Giulio Cattaneo

Vince Olinet (1981) lives and works in Brussels and Singapore.
Some images retouched by thescienceofdesign.

Benedita Feijó

http://beneditafeijo.blogspot.com/

Benedita Feijó is a portuguese designer, illustrator and co-founder of Interact Creative.
via krvKurvaDesign.

Jimmy Turrell

Jimmy Turrell is a graphic artist based in London. He studied at Liverpool School of Art and then Central St Martins. He combines a love of handmade collage, drawing, screen printing and painting alongside digital techniques. Follow his latest projects on Facebook / Twitter / Blogger

Tanja Szekessy

http://www.szekessy.net/

Tanja Székessy (1969) studied Visual communication at the UdK Berlin. She works since 1997 as an independent illustrator. Her work shows fanciful scenarios with an aesthetic reminiscent of the style of early illustrators.

Fred Tomaselli

1. Glassy, 2006.
2. Butterfly effect, 1999.
3. Torso, 1999.
4. Laura, 1995.

b.1956 in California, lives in New York. 'Fred Tomaselli is celebrated for the ecstatic fantasies he presents in his pictures—explosions of color, laced with art-historical references, that both invite transcendence and hint at the more toxic, monstrous visions that can accompany quests for the sublime. He uses a range of techniques, including collage, painting and glazing, to make his highly decorative pictures that are often described as psychedelic—particularly since he has infamously included pills and marijuana leaves among his collage materials (which once led to his works being detained by customs officials in France)'.

"I want people to get lost in the work. I want to seduce people into it and I want people to escape inside the world of the work. In that way the work is pre-Modernist. I throw all of my obsessions and loves into the work, and I try not to be too embarrassed about any of it. I love nature, I love gardening, I love watching birds, and all of that gets into the work. I just try to be true to who I am and make the work I want to see. I don’t have a radical agenda."-source

Josef Frank

(Austria, 1885 - Sweden, 1967)

Architect, designer, and theorist, his work is closely identified with the Swedish Modern aesthetic that emerged in 1930s and was widely admired in the decades following the Second World War. Educated in Vienna he worked on architecture and interiors and after the war he entered academic life, becoming Professor of Building Design at the Wiener Kunstgewerbeschule in 1919, a post he held until 1925. From 1921 to 1924 he worked alongside Peter Behrens, Josef Hoffmann, Oskar Straad, and Oskar Wlach on the design of Viennese apartment buildings and, in the following year, founded the Haus und Garten interior design firm.

But Frank fell from grace when he emerged as a forceful critic of the extremes of modern architecture and design during the early 1930s. Dismissing the demands for a unified modern style, Frank insisted that it was pluralism, not uniformity, that most characterized life in the new machine age. He called instead for a more humane modernism, one that responded to people's everyday needs and left room for sentimentality and historical influences.

In 1932 he made contact with Estrid Ericson, the founder of Stockholm furnishings firm Svenskt Tenn, and two years later emigrated to Sweden where he would work as a chief designer for the company until his death 33 years later. His work came to define Swedish (or Scandinavian) modern design, producing colorful, cozy, and eclectic designs that provided a refreshing alternative to the architectural mainstream of the day and presaged the coming revolt against modernism in the 1960s. Source.

Buy them at:
http://www.svenskttenn.se/
http://justscandinavian.com