Showing posts with label Iceland. Show all posts
Showing posts with label Iceland. Show all posts

Icelandic Love Corporation





1. Places of worship, 2001
2. Freedom Beauty Free time, 1997.
3. Women Good Enough To Eat, 1997

http://www.ilc.is/

Eirún Sigurðardóttir, Jóní Jónsdóttir, Dora Isleifsdottir and Sigrún Hrólfsdóttir aka the Icelandic Love Corporation have been making artworks together since 1996.

Bóas Kristjánsson



The imagery of icelandic fashion designer Bóas Kristjánsson.

http://www.kristjansson-boas.com/

—On the most exciting about fashion world: Everything is supposed to be impossible, every step you take you prove someone wrong.—Banane magazine.
—Sometimes I feel as if there’s an incubation period for ideas. They lie dormant after an experience and resurface later as a mental image. Some become actual pieces if I believe strongly in the idea. I finish one and base the next garment on the first, so they are offspring of the original and share common qualities.—Oyster.

via Ingrid Kesa.

Ziska



Ziska is Harpa Einarsdottir. Born in 1976, lives and works in Atlanta, US. She graduated as a fashion designer in Iceland school of art and design, in 2005, but works mostly as an illustrator and multimedia artist. Among her interests and passions are: art, fashion, photography, and illustration.
http://www.dripbook.com/Ziska/

Siggeir Hafsteinsson




Siggeir Hafsteinsson lives and work in Reykjavik, Iceland
http://www.digital.sys.is/

—I usually start by browsing the internet, looking for materials or elements. It’s after I start on the piece that the real idea comes to live. What people see as a finished piece most of the time isn’t what the idea was to make originally. I go from the original idea to something totally different just based on the stuff I find or what the design I’m working on evolves in to. The topics are things that I find inspiring, urban art, graffiti, cultural icons, music or movies. The outcome is something that I find interesting, surreal, funny and even political.— Interviewed by Monarkh.

Stefán Pétur Sólveigarson


Strength in numbers, 2004
Seat covered with blown up latex gloves.
http://www.solson.is/
BA Iceland Academy of the Arts, 2006
Interior design. Product design.

Stefán Kjartansson




1. Elastic Island
2. Geographic North
http://www.howdoyouspellkjartansson.com/
Icelandic designer living currently in Atlanta, US.

Check his Flickr and his family font Gor.

Ragnheiður Ösp


Sugar Farm is a small museum setting, that include furniture and objects, made to tell the story of these strange creatures.
http://www.umemi.com/
2001 Psychology and Sociology at Fjölbrautaskóli Suðurnesja
2002-2005 BA Product design from Iceland Academy of Arts.
2006-2008 MA 3D design from Cranbrook Academy of Arts.

Ragnar Freyr



1.Folded flyer for Breakbeat.is October 2008 events.
2.Posters for the Icelandic Human Rights Centre, with photo by Andrea Delta

Ragnar Freyr Graphic Design is a one man studio located in the heart of Reykjavík, Iceland. Founded in 2001, it specializes in typo/graphic design for both the print and screen media. He also runs the creative blog Createmake that features inspiration from around the world.

B.A. Graphic design at Icelandic Academy of Arts. 2005.
http://www.ragnarfreyr.com/

Sól Hrafnsdóttir


Sprjómi, typography for a Breakbeat poster.
http://www.grafiksense.net/sol/
Icelandic graphic designer and illustrator.

Siggi Orri Þórhannesson




1. Vindstig - Type design
2. Reykjavik City Energy, in collaboration with Sól Hrafnsdóttir.
3. Breakbeat poster. Typography.
http://www.grafiksense.net/siggi/

Karlsson Wilker


http://www.karlssonwilker.com/
"design studio of Hjalti Karlsson and Jan Wilker, located in the heart of Manhattan. Originally from Iceland and Germany respectively, the two of them (plus one intern) work on all sorts of projects"

Siggi Eggertsson









http://www.bigactive.com/
http://www.vanillusaft.com/
http://vimeo.com/
b. in Iceland. Based at different times in New York, Berlin and London, he is currently living and working in Iceland.

'Eggertsson’s work is entirely different. No sketches, doodles or brush strokes. No cutouts or found objects. His style takes advantage of pattern rules, vector shapes, lines and plenty of flat colour. It’s a bit like pixel art, softened with a nice analogue twist. He’s creating a feel that’s simple and expressive, and what is giving him the staying power - and capturing the imagination of art directors and his fellow illustrators - is that he’s continuing to develop it.'

“I’ve always been interested in simplifying things and at some point I started playing with the combination of geometric shapes and colour,” he says. “I kept on developing this, my rules within the grid became more defined and strict, but at the same time, the shapes became softer. It’s still developing and I’m really interested in how far I can take the style.”—Interview with Garrick Webster for computer arts.